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The Bedlam in Goliath
 : The Bedlam in Goliath

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by: The Mars Volta


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Price: $9.82
as of 10/21/2017 16:22 EDT

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Binding: Audio CD
EAN: 0602517575301
Feature: MARS VOLTA THE THE BEDLAM IN GOLIATH
Item Dimensions: 5148821555
Label: Motown Records
Languages: EnglishPublishedSpanishOriginal LanguageEnglishUnknown
Manufacturer: Motown Records
Model: 3867862
MPN: 6 3 01757530
Number Of Discs: 1
Number Of Items: 1
Publication Date: January 29, 2008
Publisher: Motown Records
Release Date: January 29, 2008
Studio: Motown Records

Features:
  • MARS VOLTA THE THE BEDLAM IN GOLIATH



Disc 1:
  1. Aberinkula
  2. Metatron
  3. Ilyena
  4. Wax Simulacra
  5. Goliath
  6. Tourniquet Man
  7. Cavalettas
  8. Agadez
  9. Askepios
  10. Ouroboros
  11. Soothsayer
  12. Conjugal Burns
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Editorial Review:

Product Description:
2008 album from the eccentric Alternative outfit. Fans of this American Progressive Rock band should expect the same thematic approach to storytelling as on their former records. This album chronicles The Mars Volta's time with the Soothsayer AKA the Ouija board owned by vocalist Cedric Bixler-Zavala, and its mutation from a source of amusement during the tour supporting the band's Amputechture album into a malevolent psycho-spiritual force that nearly tore the group apart, collectively and individually. The album's creation process was subject to "bad luck controversy" after the band's bizarre experience. The Bedlam in Goliath is their fourth full-length studio album. Produced by guitarist Omar Rodriguez-Lopez with engineer Robert Carranza, 12 tracks. Universal.

Amazon.com:
No one has ever accused the Mars Volta of subtlety. But even so, the cyclonic caterwaul of Bedlam in Goliath is the band’s fullest starburst to date. Sure, the songs have titles that seem indecipherable, from "Aberinkula" to "Conjugal Burns." The important thing, though, is the molten, guitar-spiraling, drum-thundering core at the heart of the whole endeavor. "Aberinkula" opens the album with an unfettered explosion of clustered guitars and a dense keyboard haze pierced by Cedric Bixler-Zavala’s coarse, pitched yowl. A scouring soprano sax solo cuts across the songs’s midsection, and that vibe spreads throughout Bedlam, but so does the most pervasive melding of herky-jerk rhythms, post-punk speed, uber-funk bass, and chaotic riffage that you’re likely to find in rock & roll. If it’s Bedlam you want, you can’t miss here. --Andrew Bartlett



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