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Pride & Prejudice
 : Pride & Prejudice



from: Decca




Audience Rating: PG (Parental Guidance Suggested)
Binding: Audio CD
Brand: Unknown
EAN: 0028947630913
Format: Soundtrack
Item Dimensions: 4748820559
Label: Decca
Languages: EnglishPublishedEnglishOriginal LanguageEnglishUnknown
Manufacturer: Decca
Model: 1993337
MPN: 1675191
Number Of Discs: 1
Number Of Items: 1
Publication Date: November 15, 2005
Publisher: Decca
Release Date: November 08, 2005
Running Time: 129 minutes
Studio: Decca




Disc 1:
  1. Dawn
  2. Stars And Butterflies
  3. The Living Sculptures Of Pemberley
  4. Meryton Townhall
  5. The Militia Marches In
  6. Georgiana
  7. Arrival At Netherfield
  8. A Postcard To Henry Purcell
  9. Liz On Top Of The World
  10. Leaving Netherfield
  11. Another Dance
  12. The Secret Life Of Daydreams
  13. Darcy's Letter
  14. Can't Slow Down
  15. Your Hands Are Cold
  16. Mrs. Darcy
  17. Credits
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Editorial Review:

Product Description:
No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 15-NOV-2005

Amazon.com:
The year 2005 was big for Italian composer Dario Marianelli. His score for The Brothers Grimm received much applause (probably more than the film itself) and a few months later he came back with another batch of compositions for a period film. This time around, the plaudits are reversed: The film is better than the score. And that's not the only reversal: Since several of his compositions were to be performed by some of the characters on screen, Marianelli wrote parts of the music before the movie was shot, switching the order in which these things are usually done. The onscreen pieces are for solo piano, and Marianelli got a huge leg up by having them played by famed classical performer Jean-Yves Thibaudet. Marianelli was instructed by director Joe Wright to think along the lines of Beethoven (tall order!) but unlike The Brothers Grimm, which cleverly mixed and matched its classical influences, Pride & Prejudice fails to acquire a personality of its own. A few tracks, such as "Arrival at Netherfield," even border on George Winston territory. The intervention of the English Chamber Orchestra usually helps, but overall the score's palette sticks too much to a monochromatic beige. --Elisabeth Vincentelli



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