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Hilary And Jackie: Music From The Motion Picture
 : Hilary And Jackie: Music From The Motion Picture



from: Sony


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Price: $9.92
as of 10/21/2017 08:53 EDT

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Audience Rating: R (Restricted)
Binding: Audio CD
EAN: 0074646039427
Format: Soundtrack
Item Dimensions: 4555023494
Label: Sony
Languages: EnglishOriginal LanguageEnglishUnknown
Manufacturer: Sony
MPN: MFR074646039427#VG
Number Of Discs: 1
Number Of Items: 1
Publication Date: January 19, 1999
Publisher: Sony
Release Date: December 15, 1998
Running Time: 121 minutes
Studio: Sony




Disc 1:
  1. Adagio. Moderato (Excerpt From Cello Concerto In E Minor, Op.85) - Jacqueline Du Pre
  2. Sisters - London Metropolitan Orch/Barrington Pheloung
  3. Ov (From Suite No.2 In b Minor, BWV 1067) - David Heath
  4. The Farmhouse - Caroline Dale/Sally Heath
  5. The Holiday Song - Caroline Dale/Sally Heath
  6. The Hospital - London Metropolitan Orch/Barrington Pheloung
  7. A Day On A Beach - Caroline Dale
  8. Con In e Minor, Op.85: I. Adagio. Moderato - Jacqueline Du Pre
  9. Con e Minor, Op.85: II. Lento. Allegro Molto - Jacqueline Du Pre
  10. Con In e Minor, Op.85: III. Adagio - Jacqueline Du Pre
  11. Con In e Minor, Op.85: IV. Allegro. Moderato. Allegro Ma Non Troppo - Jacqueline Du Pre
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Editorial Review:

Product Description:
Hillary And Jackie ~ Hilary And Jackie: Music From T

Amazon.com:
As might be expected, the soundtrack to Hilary and Jackie plays a highly prominent role in this film about the emotionally fraught relationship between two gifted sisters, one of whom is the brilliant cellist Jacqueline Du Pré. Certainly composer Barrington Pheloung--whose credits include the Inspector Morse series and the evocative score to Truly, Madly, Deeply--faced a heady challenge in writing music to be heard alongside Du Pré's rhapsodic, signature interpretation of the Edward Elgar Cello Concerto, not to mention other classical selections. Even so, the resonantly autumnal, neo-Romantic flavor of his score aptly mirrors the narrative's flashback-oriented technique. His insistence on the cello's urgent high register (played by soloist Caroline Dale) creates a poignant musical portrait of its tragically stricken protagonist. Most of the CD, however, is given to the entire Elgar concerto--an especially effective choice as against the usual potpourri of classical snippets. This charged, elegiac, and easily accessible work--Elgar's own valedictory composition for orchestra--becomes a sort of musical metaphor for Du Pré's emotional journey and gains from being heard in its full context. While the performance featured here is conducted by husband Daniel Barenboim, you'll probably be inspired to try Du Pré's never-bettered version of the Elgar on EMI with John Barbirolli. --Thomas May



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