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The Man with No Name Trilogy (A Fistful of Dollars, For A Few Dollars More, The Good, the Bad, and the Ugly)
 : The Man with No Name Trilogy (A Fistful of Dollars, For A Few Dollars More, The Good, the Bad, and the Ugly)



starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Gian Maria Volontè, Aldo Giuffrè
directed by: Sergio Leone




Aspect Ratio: 2.35:1
Audience Rating: NR (Not Rated)
Binding: DVD
Brand: EASTWOOD,CLINT
EAN: 9780792842507
Edition: DVD Video
Format: Subtitled, Color, Letterboxed, Widescreen
ISBN: 0792842502
Item Dimensions: 20075075550
Label: MGM (Video & DVD)
Languages: EnglishSubtitledFrenchSubtitledEnglishOriginal LanguageDolby Digital 2.0 MonoSpanishOriginal LanguageFrenchOriginal LanguageEnglishUnknownDolby Digital 2.0 Mono
Manufacturer: MGM (Video & DVD)
MPN: 027616785923
Number Of Discs: 1
Number Of Items: 1
Picture Format: Widescreen
Publication Date: August 31, 1999
Publisher: MGM (Video & DVD)
Region Code: 1
Release Date: January 31, 2006
Running Time: 392 minutes
Studio: MGM (Video & DVD)




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Editorial Review:

Product Description:
Disc 1: FISTFUL OF DOLLARS Disc 2: FOR A FEW DOLLARS MORE Disc 3: THE GOOD, THE BAD, AND THE UGLY

Amazon.com:
Sergio Leone's trilogy of operatic spaghetti Westerns with Clint Eastwood made the former TV star into an international sensation as the scraggly, silent Man with No Name, a wandering rogue with a scheming mind and a sense of humor drier than the dusty, wind-scoured desert. With A Fistful of Dollars, a blatant rip-off of Kurosawa's cynical samurai hit Yojimbo, Leone transforms the Western hero into a crafty mercenary. The follow-up, For a Few Dollars More, teams Eastwood up in an uneasy alliance with Lee Van Cleef in a tale of revenge, but the masterpiece of the set is The Good, the Bad and the Ugly, an epic scramble for buried gold set against the violence of the Civil War. In this film good is a relative term as three criminals make a series of tenuous partnerships broken in double-crosses and betrayals in Leone's epic vision of the American southwest as endless deserts and clapboard towns infested with gunmen. This was a new kind of Western: cynical, violent, stylish, and austere. Eastwood's rough face and squinting eyes fill the widescreen frame in massive close-ups while Leone stages action in bold compositions on empty streets and stark landscapes. The guns ring out in cartoonish exaggeration, and the music, an eclectic, electric mix of buzzing guitar, human voice, and harmonica by Ennio Morricone, sets the whole thing in a world pitched between myth and modernity. Leone's shot-in-Spain trilogy ushered in a flood of Italian spaghetti Westerns, but none hold a candle to Leone's stylish classics. --Sean Axmaker



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