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Glamorama (Vintage Contemporaries)
 : Glamorama (Vintage Contemporaries)

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by: Bret Easton Ellis


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Binding: Paperback
Brand: Bret Easton Ellis
EAN: 9780375703843
Feature: Glamorama
ISBN: 0375703845
Item Dimensions: 7995190.9797
Label: Vintage
Languages: EnglishPublishedEnglishOriginal LanguageEnglishUnknown
Manufacturer: Vintage
Number Of Items: 1
Number Of Pages: 560
Publication Date: March 21, 2000
Publisher: Vintage
Release Date: March 21, 2000
Studio: Vintage

Features:
  • Glamorama



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Editorial Review:

Product Description:
The author of American Psycho and Less Than Zero continues to shock and haunt us with his incisive and brilliant dissection of the modern world.  In his most ambitious and gripping book yet, Bret Easton Ellis takes our celebrity obsessed culture and increases the volume exponentially.

Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know.  He's living with one beautiful model and having an affair with another onthe eve of opening the trendiest nightclub in New York City history. And now it's time to move to the next stage.  But the future he gets is not the one he had in mind.

With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it.  Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives.

Amazon.com Review:
Glamorama is a satirical mass-murder opus more ambitious than Bret Easton Ellis's 1990 American Psycho. It starts as a spritz-of-consciousness romp about kid-club entrepreneur Victor Ward, "the It boy of the moment," an actor-model up for Flatliners II. Ellis has perfect pitch for glam-speak, and he gives nightlife the fizz, pace, and shimmer it lacks in drab reality. Anyone could cite the right celeb names and tunes, but like a rock-polishing machine, his prose gives literary sheen to fame-chasing air-kissers. He's coldly funny: when Victor's girl tries to argue him out of a breakup, she angrily snorts six bumps of coke, stops, mutters, "Wrong vial," snorts four corrective doses from whatever she has in her other fist, then objects to a rival at the party wearing the same dress she's wearing.

You had to be there; Ellis makes you feel you are. But such satire is a very smart bomb targeting a very large barn. Models' status anxiety doesn't merit Ellis's Tom Wolfe-esque expertise. Glamorama gets better when Victor gets drafted into a mysterious group of model-terrorists who bomb 747s and the Ritz in Paris, wearing Kevlar-lined Armani suits. Oh, they still behave like shallow snobs, pronouncing "cool" as if it had 12 o's. But now when somebody swills Cristal, it's apt to be poisoned, to horrific effect, which Ellis expertly, affectlessly describes. His enfant-terrible debut, Less Than Zero, aped Joan Didion. Now Ellis has grown into a lesser Don DeLillo--and that's high praise. --Tim Appelo



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