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You Better run
 : You Better run

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by: Junior Kimbrough


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Price: $11.99
as of 10/23/2017 17:13 EDT

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Audience Rating: NR (Not Rated)
Binding: Audio CD
Brand: KIMBROUGH,JUNIOR
EAN: 0766481890522
Item Dimensions: 3356224492
Label: Fat Possum
Languages: EnglishPublishedEnglishOriginal LanguageEnglishUnknown
Manufacturer: Fat Possum
Model: 2003983
MPN: 80340
Number Of Discs: 1
Number Of Items: 1
Publication Date: August 27, 2002
Publisher: Fat Possum
Release Date: March 08, 2005
Studio: Fat Possum




Disc 1:
  1. Release Me
  2. All Night Long
  3. Meet Me in the City
  4. You Better Run
  5. Done Got Old
  6. Sad Days, Lonely Nights
  7. Old Black Mattie
  8. Most Things Haven't Worked Out
  9. I'm Leaving You Baby
  10. Keep on Braggin'
  11. Tramp
  12. Nobody But You
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Editorial Review:

Product Description:
This is the first career-spanning collection of seminal recordings by the late Junior Kimbrough, who was hailed by Bono and Iggy Pop as a primal force in American music.
Genre: Blues Music
Media Format: Compact Disk
Rating:
Release Date: 27-AUG-2002

Amazon.com:
When Junior Kimbrough died in January 1998, part of the spirit of Mississippi hill-country blues went with him. He was a proud musician, aware of his African roots and his artistic singularity--perhaps the last unique voice in the genre. The sound of his bawling singing and unpredictable, serpentine guitar were as eerie as a warm wind humming through a field of tombstones, as hypnotic as the ancient village drum music it was based on, thanks to his complete command of his rhythm sections. This collection serves full notice of Kimbrough's authenticity, from his first recording, an impromptu-sounding "Release Me" played with rockabilly cult figure Charlie Feathers, through his last '90s albums for Fat Possum. It's in the latter cases that Kimbrough paints a colorful portrait of his hardscrabble life just above the Delta. Rape is wrongly equated with love (in the brutal-but-fascinating title track), and sexual prowess ("All Night Long") is the only true coin of manhood. Finally, "Done Got Old" serves as the best epitaph for this blues hell-raiser, whose decades of bootlegging, boozing, and womanizing seemed to catch up with him in his final years. Nonetheless, that song and the 11 others prove that no matter how tired and worn he became, Kimbrough's crackling music never lost its edge or its feeling of danger and menace. --Ted Drozdowski



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